Photography and Film: Antidotes to Political Domination? No 7, 2013/3 - pagesPages 7 to 46Photography and Film as Ambivalent Instruments of PowerBy Cécile Cuny, Héloïse NezPages 47 to 71Supporting Political Mobilization through Images: Contentious Photography in YemenBy Anahi Alviso-MarinoPages 73 to 96When Activists Mobilize Images in Moscow: Communication or Participation?By Perrine PoupinPages 97 to 125Radical Movies for the Dominated in the Social Field in the Post–May 1968 EraBy Romain LeclerPages 127 to 149Making Citizens’ Voices Heard: An Analysis of Two Films about a Citizen’s Forum on Water ManagementBy Laura SeguinPages 151 to 172Photography and Film in Urban Participatory Projects: Editing and Showing the Representation of an Active ResidentBy Khedidja MamouPages 175 to 198Mini Public Procedures and Water as an Undrinkable Mix: Between Spontaneity, Concession, Sliding, and DebateBy Clémence BeduPages 201 to 213Inclusion of the Public and the Materiality of Participatory DevicesBy Clément Mabi